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PAUL ARDITTI - Sound Design
Paul won the 2006 Olivier Award for Best Sound Design for his
work on Billy Elliot.
Paul’s other work with Stephen Daldry
includes Far Away (Royal Court/West End/New York – Lucille
Lortel Award Nomination 2003); The Kitchen; Via Dolorosa;
This Is A Chair; Rat In The Skull; Body Talk; Search and Destroy.
Other recent sound designs include: Market Boy (National
Theatre); The Bee (Soho Theatre); Enemies (Almeida); The
Crucible (RSC and Gielgud Theatre); Festen (Almeida, West End,
Broadway - Evening Standard Award for Best Design 2004 with
Ian MacNeil and Jean Kalman, and an Olivier Award nomination
2005); Tintin (Young Vic at Barbican Theatre); Trade (RSC and
Soho Theatre); As You Like It (RSC and Novello Theatre);
Mary Stuart (Donmar & West End); Blood Wedding (Almeida);
Sleeping Beauty (Young Vic, Barbican, Broadway); Six Pictures
of Lee Miller (Chichester); The President of an Empty Room (NT);
The Pillowman (NT & Broadway: winner of the Broadway Drama
Desk Award for Outstanding Sound Design 2005 & Olivier Award
nomination for Best Sound Design 2004); A Girl In A Car With A
Man (Royal Court); The Permanent Way (NT / Out of Joint);
Just So (Chichester); Cruel and Tender (Young Vic, Vienna &
Chichester Festivals).
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